View the original entry on Public Radio Exchange’s (PRX) blog.
All right, I admit it. I’m in love with steampunk. In October, I attended Bruce Rosenbaum’s talk at Creative Mornings: Boston. (If you don’t know who Bruce Rosenbaum is, don’t fret. I didn’t either before the seminar, but I won’t forget now.) A designer by day and the founder of ModVic, Bruce Rosenbaum has converted his entire house in Sharon, MA, into a steampunk paradise. I’m talking about gadgets with gears, brass-laden furniture, old wood-fire stoves and massive pipe organs repurposed to fit a modern household.
I couldn’t help but think of Roman Mars’ 99% Invisible episode, “A Series of Tubes.” Pneumatic tubes, that is. This refers to an early 20th century system of underground, steam-powered tubes used to deliver messages (almost) instantaneously. (Think of it as an analog form of text messaging.)
Some of you may be thinking, “So what?” Underground tubes and brass gadgets are cool, but isn’t this kind of, well, outdated? What’s the appeal?
Let’s think about it. In a world where things are increasingly digitized, the basis of steampunk’s appeal lies in the fact that it romanticizes tangible technology. It answers the question, “What if the Steam Age and Industrial Revolution happed at the same exact time?” Steampunk re-imagines a reality in which the modern and the antique co-exist artfully and meaningfully. Take a listen to this episode of 99% Invisible for more insight on this retro-futuristic world. You can call it fantasy or science fiction. You can even call it absurd. As for me, I’ll just call it awesome.
If you’re still interested in learning more, check out this PBS special on the genre.
A Culture of Curiosity 